Very few films have arrived in cinema with the huge expectation that The Dark Knight Rises has upon it.
The runaway critical success of 2008’s The Dark Knight meant
that anticipation for it’s sequel – the last in the Christopher Nolan/Christian
Bale trilogy – had reached fever pitch when it was merely announced. What they have created
for a sequel is a very intriguing end to the trilogy.
We open with two parallel sequences - one where the villain emerges, and one where we find the seldom-seen Bat. Nolan's Batman films are dense in keeping the Bat under wraps and this is no exception.
Eight years have passed since the events of The Dark Knight, where the Joker and Harvey Dent ran riot in the streets of the city. Batman has taken the fall for Dent's crimes, and Bruce Wayne, shorn of his extra-curricular activity of donning his cape and patrolling Gotham, has turned into something of a recluse.
The villain who emerges is Bane (Tom Hardy), who combines enough brute
force to literally break Batman, and a clever strategy to get the populace of Gotham to destroy the city from within. It is particularly
impressive despite Hardy’s voice having an almost Darth Vader-sound that sometimes drowns in the relentless percussion and chant-heavy Hans Zimmer soundtrack. Despite this
he makes a compelling adversary.
After being robbed by Selina Kyle (Anne Hathaway), who is Catwoman
in all but name, and becoming aware of Bane’s rise, Wayne returns to his cape and flightsuit
and is immediately plunged into desperation after he loses a fight, a back in one piece and is confined to a pit somewhere in the deserts of Africa.
Many people said both of Nolan's Batman films so far have taken a very realistic approach to their protrayal of the Bat. However this one has what feels like the contents of news bulletins for the last four years serving as the basis of its story.
There are three big fish that serve as plot points - green energy, economic crises and social unrest.
The expenditure of green energy gets an early reference when it's revealed Bruce Wayne has sunk all his cash into a nuclear fusion project that quickly turns out to be a nuclear bomb in waiting. Theoretically nuclear fusion could be a sustainable energy source that could last for 3000 years depending on how much lithium is used, but fusion has the potential to create a deadlier weapon than the existing process of nuclear fission.
However, its the economic crisis that drives the big attention. It starts with a raid on a stock exchange where Bane bankrupts Wayne Enterprises with a series of dodgy trades while holding the exchange hostage, and blossoms into the after effects.
The Nolan brothers wrote this film before the Tea Party and Occupy Wall Street movements began dominating the news media. As it is there is still major anger and some protestations against the global economic giants perceived to have caused the crisis everyone is suffering through their greed.
Here it is taken to the extreme - the idea if either of these groups (I'm not even going to attempt to guess which side of the spectrum they belong on) being rallied by an evil figurehead and taken to try and destroy society.
This, however, is one of the plot holes that has been picked at the most. If you saw a masked man strut into the middle of a football stadium seconds after he has blown up the pitch beneath the players and is proclaiming "we come not as a conquerors but as liberators". Equally true though is the fact that fear will drive this - if someone is pointing a gun at you, or in this case, threatening to blow you up with a nuke, and essentially says "if you try to be a hero you die", you'd be in their power.
There are a few gaping plotholes that the film's length stretches out. 3 hours is an almost absurd length for a movie and unlike Inception, which remains Nolan's masterpiece, the construction is not quite so stable.
The plot, despite all the political baggage, also ends up being surprisingly straight forward. By the time Batman returns from his jail, it has turned into a stop-the-bomb story worthy of the first half of a series of 24.
It's a different environment to the usual stop the bomb film though - trapped policeman, destroyed bridges, people killed left, right and centre and a roving nuclear bomb all set for detonation.
Exactly why Bane wants to obliterate Gotham ties in with Batman Begins - a visitation of Liam Neeson's character ties the knot fall circle.
There are a few gaping plotholes that the film's length stretches out. 3 hours is an almost absurd length for a movie and unlike Inception, which remains Nolan's masterpiece, the construction is not quite so stable.
The plot, despite all the political baggage, also ends up being surprisingly straight forward. By the time Batman returns from his jail, it has turned into a stop-the-bomb story worthy of the first half of a series of 24.
It's a different environment to the usual stop the bomb film though - trapped policeman, destroyed bridges, people killed left, right and centre and a roving nuclear bomb all set for detonation.
Exactly why Bane wants to obliterate Gotham ties in with Batman Begins - a visitation of Liam Neeson's character ties the knot fall circle.
A few months on and with the DVD release looming, it feels there is a less of a ridiculous energy around the film in and calm discussed can now occur. With Batman fans sending death threats to critics who hated it - in turn forcing the closure of the film's entry on Rotten Tomatoes - and long thinkpieces appearing every day in newspapers taking the film unbelievably seriously, it felt like rationality had flown out of the window.
As pure spectacle it is a good film and there is plenty to admire, and even love, about the film. There are plenty of performances that are impressive - newcomers Hardy, Hathaway and Joseph Gordon-Levitt are all delightful and Bale delivers his best performance as the billionaire Bat.
Just don't try to dig in too seriously, otherwise your head will hurt with intent to take the film to bits.
Just don't try to dig in too seriously, otherwise your head will hurt with intent to take the film to bits.
Rating: 4/5